Hello

If you’d like to discuss a project or script... know more about our directors and our work... or just have a good old chat, please get in touch.

UK HQ

12 Swan Yard
London,  N1 1SD.

Google Map

+44 207 636 6666

UK Team

Richard Packer
Managing Partner

Bella Murray
Operations Partner

Otis Denison
Executive Producer

US Team

Emily Malito
Executive Producer

Diane Patrone
East Coast Sales

Tracy Bernard & Robin Stevens
Midwest Sales

Jeanie DiMaggio & Tracy Fetterman
West Coast Sales

Partners

Circle Productions
Canada

Bandits
France

Blur Films
Spain

Edward Andrews

Edward Andrews

UK / Amsterdam
A Padawan Story

A Padawan Story

LEGO Star Wars

The Gap

The Gap

Pathways To Education

This Job Can Break You

This Job Can Break You

Nabs

A World Without Y

A World Without Y

YMCA

Scotland’s Best Kept Secret

Scotland’s Best Kept Secret

Monsterbox

Flirting With Death

Flirting With Death

VPD

It's Happening Here

It's Happening Here

Ministry of Finance

Doggy Play Pals

Doggy Play Pals

Librela

About
Edward

From an early age, Edward was fascinated by the way images can direct the viewer’s eye and tell a story, so it’s no surprise he should end up working in film. 

His eye for composition is present throughout his work, which combines honest storytelling with hints of surrealism and moments of seamless VFX, capturing reality but in an elegantly heightened way. His unique approach has been recognized internationally with a growing list of awards (including the prestigious Shots New Director of the Year), and is one of the reasons we’re so excited to have him in the Outsider family. 

But Edward didn’t start his career by directing award-winning short films and commercials. After being inspired by the surrealistic photomontages of thought-provoking photographer Jerry Ueslmann, Edward joined the world of visual effects. As a compositor at DNeg he was part of the Oscar-winning VFX teams behind such films as Blade Runner 2049, Inception, The Dark Knight Rises, and the Harry Potter franchise. Later transitioning this knowledge into directing visually rich stories with a very human core… and we’re so glad he did.

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